Issues : No pedal release mark
b. 3-4
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composition: Op. 10 No 11, Etude in E♭ major
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In Chopin's notation, the marks which are not followed by usually appear at the end of the pieces. In other situations it is mostly a result of an oversight, yet sometimes it seems that Chopin wanted to emphasise a performance of a given fragment with pedal but without a precise indication of each movement of the leg. This is the situation we are probably facing in this place, as the marks of a pedal depressed on each quaver could simply occupy too much space. In order to avoid any ambiguity, in the main text we add con. In the editions the pedal mark was omitted. Cf. bars 11-12. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE , No pedal release mark |
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b. 32
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composition: Op. 10 No 11, Etude in E♭ major category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Errors of A , No pedal release mark |
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b. 33-34
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composition: Op. 10 No 11, Etude in E♭ major
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According to us, A presents the only reliable pedalling version of these bars and the following sections of the Etude. The versions included in the editions are probably a result of an error of FE, the attempt of its later correction by Chopin in the last proofing and the subsequent arbitrary additions by the revisers of GE and EE. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , GE revisions , Authentic corrections of FE , No pedal release mark , Inaccuracies in A |
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b. 44-47
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composition: Op. 10 No 11, Etude in E♭ major
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The marks written in A in bars 44 and 46 mean – same as in bar 33 – pedale come prima. Due to the fact that in analogous bars 25-28 Chopin marked a detailed pedalling, in the main text we suggest an addition based on these indications. The marks appearing in the editions are certainly an addition of engravers or revisers. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , GE revisions , FE revisions , No pedal release mark |
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b. 53-54
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composition: Op. 10 No 11, Etude in E♭ major
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In FE the mark in bar 53 and the mark in bar 54 were omitted. They are patent errors. In GE2 (→GE3→GE4) and in EE a mark was added at the beginning of bar 53. In EE the marks in bar 54 were also added. In the main text we give the only authentic pedalling of A. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions , No pedal release mark |