mUltimate Chopin

Op. 10 No 11, Etude in E♭ major

Text Compare Notes Sources Description

Issues : Errors of A

b. 19

composition: Op. 10 No 11, Etude in E♭ major

..

In A Chopin did not write arpeggio wavy lines next to the chords in the L.H. in the entire bar, which is certainly an oversight.

category imprint: Differences between sources

issues: Errors of A , Authentic corrections of FE

b. 22

composition: Op. 10 No 11, Etude in E♭ major

..

In A there is no  lowering g to g in the 1st chord in the L.H.

category imprint: Interpretations within context; Differences between sources

issues: Omission of current key accidentals , Errors of A , Authentic corrections of FE

b. 23

composition: Op. 10 No 11, Etude in E♭ major

..

In A there is no  lowering c3 to c3 in the 1st chord in the R.H.

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , Errors of A , Authentic corrections of FE

b. 24

composition: Op. 10 No 11, Etude in E♭ major

..

Lack of flats returning e in the last chord in A (→FE→GE1,EE3) is certainly Chopin's oversight. The accidentals were added in FED and GE2 (→GE3→GE4) and EE4.

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Omissions to cancel alteration , Errors of A

b. 26-32

composition: Op. 10 No 11, Etude in E♭ major

No arpeggio signs in A

Arpeggio signs in FE

GE & EE
..

From the 2nd quaver in bar 26 in the R.H. and from the 3rd quaver in bar 27 in the L.H. there are no arpeggio marks in A until the end of bar 32. It is undoubtedly a result of Chopin's distraction. The wavy lines were added in a proofing of FE (→GE,EE), yet in FE the 1st chord in bar 29 was omitted.

category imprint: Differences between sources

issues: EE revisions , GE revisions , Errors of A , Authentic corrections of FE