Page: 
Source: 
p. 1, b. 1-15
p. 1, b. 1-15
p. 2, b. 16-35
p. 3, b. 36-54
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Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 11-12

in A

in FE (→GE,EE

suggested by the editors

In A these bars are not written out, only marked as a repetition of bars 3-4. However, unlike in A, in FE (→GE,EE) the  mark in bar 11 was not omitted and moreover a  mark at the end of bar 12 was added. The completion of the notation could have been a result of Chopin's correction, yet it is not certain (one could imagine the engraver's error who first engraved the  marks and then added  to them, already without consulting the base text). As we cannot be dealing with the performance of both bars with one pedal here, in the main text we repeat the notation of bars 3-4

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: Authentic corrections of FE

notation: Pedalling

Missing markers on sources: FE1, A, FE2, FED, EE3, EE4, FEJ, FES, GE1, GE2, GE3, GE4