Slurs
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b. 42-43
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composition: Op. 10 No 12, Etude in C minor
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In A the slur running from the g1-g2 octave is written only in bar 42 (at the end of the text's line). This inaccuracy probably caused its misinterpretation in FE (→EE) as a tie sustaining g2. In GE the slur was omitted, which, among others, may be a simple oversight. category imprint: Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A , Errors in GE , GE revisions |
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b. 45-46
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composition: Op. 10 No 12, Etude in C minor
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In the main text we give the slurs in the parts of both hands, as Chopin wrote it in A; such slurs are included in EE. We consider the fact that in A the slur in the L.H. begins two notes later than the slur in the R.H. as the notation's inaccuracy. In FE (→GE) the range of the slur in the L.H. is correct, yet the slur in the R.H. was omitted. category imprint: Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A |
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b. 49-50
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composition: Op. 10 No 12, Etude in C minor
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We give the slurring of the figures in the L.H. in a unified version, despite the fact that some of the slurs are written slightly inaccurately. category imprint: Interpretations within context; Differences between sources issues: Inaccurate slurs in A |
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b. 50
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composition: Op. 10 No 12, Etude in C minor
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In this and further, analogous bars Chopin provided the part of the R.H. only with the slurs embracing particular triplets (cf. General Editorial Principles, p. 16). As in FE the slurs were replaced with phrase marks in a few places (bars 52, 56 and 60), we also introduce a relevant change here. The slur was already extended in GE3 (→GE4). category imprint: Interpretations within context; Editorial revisions issues: Triplet slurs |
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b. 51-68
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composition: Op. 10 No 12, Etude in C minor
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In bars 51-56 and 59-68 we give the slurring in the L.H. in the standardised version, despite the fact that some of the slurs are written slightly inaccurately. category imprint: Interpretations within context issues: Inaccurate slurs in A |
