



b. 34
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composition: Op. 10 No 12, Etude in C minor
..
The octave in A is the original version, changed by Chopin in a proofreading of FE (→GE,EE). In FE the correction was inaccurately performed – there are no dots extending the added notes, while the category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Errors in FE , GE revisions , Cautionary accidentals , Rhythmic errors , Authentic corrections of FE |
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b. 34
|
composition: Op. 10 No 12, Etude in C minor
..
In A the accidentals are before each note of the chord at the beginning of the bar. In FE (→GE1,EE) the category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions , Cautionary accidentals |
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b. 35
|
composition: Op. 10 No 12, Etude in C minor
..
In A there are no flats on the 2nd beat in the bar, which is certainly a mistake (cf. two previous bars). Both necessary accidentals were added in a proofreading of FE (→GE,EE). category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Omission of current key accidentals , Authentic corrections of FE |
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b. 37-39
|
composition: Op. 10 No 12, Etude in C minor
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In the main text we give the fingering added by Chopin in a proofreading of FE (→GE). In EE Fontana completed it with digits which naturally stem from Chopin's indications. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 37
|
composition: Op. 10 No 12, Etude in C minor
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category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions |