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b. 83
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composition: Op. 10 No 12, Etude in C minor
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Initially, c-g-a-c1 was the first chord in the R.H. in A, which was carefully changed by Chopin to c-f-a-c1, repeated in the first editions. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 83
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composition: Op. 10 No 12, Etude in C minor
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It is uncertain why category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Centrally placed marks |
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b. 83-84
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composition: Op. 10 No 12, Etude in C minor
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The difference between dots and wedges in A is very clear, yet it was not included in FE (→GE). Taking into account numerous inaccuracies of the notation of staccato marks in FE, we give preference to the detailed indications of A. In EE all dots were omitted. category imprint: Differences between sources issues: Inaccuracies in FE , Errors in EE , Authentic corrections of FE , Wedges |
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b. 83-84
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composition: Op. 10 No 12, Etude in C minor
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In A the bottom notes of the octaves in bar 84 are written in an abbreviated form with the use of 8. In FE (→GE1→GE2, →EE), undoubtedly due to lack of space, the notation was also extended to bar 83. The notation of A was returned in GE3 (→GE4), which, however, was certainly an independent decision of the reviser. category imprint: Source & stylistic information issues: Abbreviated octaves' notation |
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b. 83
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composition: Op. 10 No 12, Etude in C minor
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Same as in the case of category imprint: Differences between sources issues: Inaccuracies in FE |