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b. 30-32
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composition: Op. 10 No 12, Etude in C minor
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Double dotted rhythm (with a demisemiquaver) at the end of bars 30 and 32 in A was changed by Chopin during a proofreading of FE (→GE,EE). The change has an undeniable impact on the expressive character of these motifs, however, it also cannot be excluded that it is related to the acceleration of the Etude's tempo, which was also introduced in a proofreading of FE. Cf. bar 27. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 30
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composition: Op. 10 No 12, Etude in C minor
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In the sources the slur abruptly ends after the 1st beat of the bar. It is an inadvertently left element of the original slurring. In the following part of the bar, as well as in bar 32, there are visible traces of extending and combining the slurs in A. category imprint: Interpretations within context; Editorial revisions |
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b. 30
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composition: Op. 10 No 12, Etude in C minor
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In A (→FE→EE) there are no flats before the 8th and 16th notes in the L.H. This patent inaccuracy was corrected in GE. category imprint: Differences between sources issues: Accidentals in different octaves , Omission of current key accidentals |
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b. 31
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composition: Op. 10 No 12, Etude in C minor
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In A (→FE) there is no
In GE1 the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Errors in GE , GE revisions |
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b. 31
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composition: Op. 10 No 12, Etude in C minor
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A has an unnecessary category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , Errors in GE , GE revisions , Cautionary accidentals |