b. 65-66
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composition: Op. 10 No 1, Etude in C major
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The version of CLI is definitely original. In the main text we give the more subtle version of FE (→GE,EE; in EE2 without the tie sustaining E). category imprint: Differences between sources; Source & stylistic information issues: Errors in EE , Accompaniment changes , Bass register changes , Abbreviated octaves' notation |
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b. 66
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composition: Op. 10 No 1, Etude in C major
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CLI has undoubtedly the erroneous c1 as the 12th semiquaver. category imprint: Interpretations within context; Differences between sources issues: Errors of CLI |
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b. 67-76
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composition: Op. 10 No 1, Etude in C major
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The fingering of FE (→GE) is certainly authentic. EE also includes it, yet in bar 74 the digit over the 5th semiquaver was omitted, probably inadvertently. category imprint: Differences between sources issues: Errors in EE |
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b. 67-76
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composition: Op. 10 No 1, Etude in C major
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In bars 67-71 and 73-76 we give the undoubtedly authentic pedalling of FE (→GE,EE) in the main text. category imprint: Differences between sources |
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b. 68-76
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composition: Op. 10 No 1, Etude in C major
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The octaves in bars 68 and 72 in CLI are written in an abbreviated form – only the upper note and 8 below it. In FE the notation was preserved only in bar 72. category imprint: Source & stylistic information issues: Abbreviated octaves' notation |