



b. 17
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composition: Op. 10 No 2, Etude in A minor
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In CLI there are no naturals returning c2 and e2, nor the sharp raising g1 to g category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions |
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b. 17
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composition: Op. 10 No 2, Etude in A minor
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In the version for publication – FE (→GE,EE) – Chopin left the original rhythmic value of the crotchet on the 3rd beat of the bar, not taking into account the reduction applied in Ap. Similarly in analogous bar 44, as well as in 25 and 31. category imprint: Differences between sources issues: Chopin's hesitations |
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b. 17
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composition: Op. 10 No 2, Etude in A minor
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The slur over the chords is in Ap, Chopin wrote it also in FEcor, however in finished FE (→EE) the sign was omitted, probably due to an overlap of a few Chopin's entries in this place. It is unclear how the slur appeared in GE; probably it is an accurate revision of the editor, e.g., on the basis of comparison with bar 44 (see also the remark in the next bar). In EE3 (→EE4) the slur was added under the chords, which is certainly an arbitrary revision. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 17
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composition: Op. 10 No 2, Etude in A minor
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The undeniable long accent, written by Chopin in FEcor, was reproduced in FE (→GE,EE) as category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in FE |
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b. 17
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composition: Op. 10 No 2, Etude in A minor
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Our proposal (long accent) constitutes a resultant of undeniable elements of two sources including independently written indications in this place – Ap and FE (→GE,EE). We do not consider category imprint: Differences between sources issues: Long accents , Authentic corrections of FE |