



b. 9-15
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composition: Op. 10 No 2, Etude in A minor
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The articulation of the accompanying two-note chords, extended in Ap in bars 9-10 and 13-15, seems to be a one-time exclusive idea or a certain transitional phase in the shaping process of the Etude's text. category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Accompaniment changes |
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b. 9
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composition: Op. 10 No 2, Etude in A minor
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Chopin added a cautionary category imprint: Differences between sources issues: Cautionary accidentals |
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b. 9-13
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composition: Op. 10 No 2, Etude in A minor
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The naturals returning a1, d2 and f2 in bars 9 and 13 are inaccurately written in some of the sources. In CLI they are totally absent, although in bar 13 the sign returning d2 is before the last semiquaver in the lower voice. In FEcor Chopin added them only in bar 9, yet, eventually, he also added the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Errors of CLI |
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b. 9
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composition: Op. 10 No 2, Etude in A minor
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FE (→GE,EE) has cautionary naturals before the last semiquaver in bars 9 and 13. Despite being undeniably authentic, the signs are, according to us, unnecessary in such a regular figuration. category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals |
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b. 9-17
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composition: Op. 10 No 2, Etude in A minor category imprint: Differences between sources issues: Authentic corrections of FE |