b. 11
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composition: Op. 10 No 2, Etude in A minor
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Same as in analogous bars 3-4, we propose an alternative interpretation of the short sign, resembling an accent, visible in Ap at the end of bar 11. A similar problem appears also in bars 12, 38 and 39. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |
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b. 12
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composition: Op. 10 No 2, Etude in A minor category imprint: Corrections & alterations; Source & stylistic information issues: Chopin's hesitations |
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b. 12
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composition: Op. 10 No 2, Etude in A minor
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In the main text we give a long accent on the basis of Ap and a handwritten Chopin's entry in FEcor. The engraver of FE (→GE,EE) totally misunderstood Chopin's sign, reproducing it as for the entire 2nd beat of the bar. category imprint: Differences between sources issues: Long accents , Inaccuracies in FE , Authentic corrections of FE |
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b. 12
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composition: Op. 10 No 2, Etude in A minor
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The sign in FE (→GE,EE), unjustified in this context (cf. analogous bars 4 and 39), is probably a result of an overlap of two mistakes:
Due to these reasons we omit this in the main text. Cf. bar 27. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , fz – f |
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b. 12
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composition: Op. 10 No 2, Etude in A minor
category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |