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b. 541

composition: Op. 39, Scherzo in C♯ minor

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In EE on the top staff there is no all-bar rest, which is an error.

category imprint: Source & stylistic information

issues: Errors in EE

b. 545-546

composition: Op. 39, Scherzo in C♯ minor

Repeated chord in EE

Tied chord in GC (→GE) & FE

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In EE the chords are not tied, which must be an error.

category imprint: Differences between sources

issues: Errors in EE

b. 548-549

composition: Op. 39, Scherzo in C♯ minor

Slur in EE and FE

Slurs in GC

Slurs in GE

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One can doubt whether the break between the slurs visible in GC and copied even more vividly into GE actually reflects the true sense of [A1] notation, as neither EE nor FE displays this divided slur. The break in the slur at this point is related to the basic rhythmic structure (in b. 549 anouther four-bar section begins) but it is not compatible with the motif-based or phrase structure. Therefore, for the main text we adopt the EE and FE version.

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE , Inaccuracies in GC

b. 548-553

composition: Op. 39, Scherzo in C♯ minor

Inaccurate pedalling in EE

No markings in GC (→GE)

Three pedal changes in FE

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Pedalling marks in EE in bars 548 and 552 as well as  in b. 553 - must be incomplete. It is possible that they were incorrect or unclear already in [A1], which may have triggered their complete omission in GC (→GE). The pedalling marks may have been omitted by the copyist as well (cf. annotation to bars 259-265) as in GC the whole line of bars 547-554 lacks them.

category imprint: Differences between sources

issues: Errors of GC

b. 551

composition: Op. 39, Scherzo in C♯ minor

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In FE the double sharp is mistakenly placed before h1.

category imprint: Source & stylistic information

issues: Errors in FE