b. 526
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composition: Op. 39, Scherzo in C♯ minor
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The mark must be authentic, it is not certain however, if it was not Chopin's intention to move it 4 bars further. Therefore, we propose our variant solution, bracketing the mark. category imprint: Differences between sources issues: Inaccuracies in FE , No pedal release mark |
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b. 529
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composition: Op. 39, Scherzo in C♯ minor
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Only in GE the slur beginning in b. 526 extends over until here. In GC and EE the slurs end in b. 528, in FE there is no sign at all. category imprint: Differences between sources issues: EE revisions |
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b. 529
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composition: Op. 39, Scherzo in C♯ minor
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In EE all 8 notes of the chord are tied over the bar line of the previous bar. This must be erroneous revision. category imprint: Differences between sources issues: EE revisions |
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b. 530-539
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composition: Op. 39, Scherzo in C♯ minor
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The above variants show both sources versions of pedalling of the bars (all of them incomplete or unclear) and their possible interpretations and supplementation. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Inaccuracies in GE , GE revisions , EE inaccuracies , Inaccuracies in GC |
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b. 530-533
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composition: Op. 39, Scherzo in C♯ minor
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The LH crotchets are marked with staccato dots only in GC, at the same time b. 531 was overlooked, which in this context must be seen as omission. In GE there is no mark in b. 530. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in GC |