mUltimate Chopin

Op. 39, Scherzo in C♯ minor

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b. 531

composition: Op. 39, Scherzo in C♯ minor

 

e1 in GC (→GE)
..

In GC (→GE) the first quaver is e1. Consistent versions of EE and FE as well as the further shape of the passage indicate high probability of the copyist's error.

category imprint: Differences between sources

issues: GE revisions , Errors of GC

b. 532-539

composition: Op. 39, Scherzo in C♯ minor

..

In the LH part in GC the lack base clefs in bars 533 and 539. These obvious errors were corrected in GE. In EE one of the clefs was erroneously placed at the end of b. 532 instead of b. 533. In FE there is no clef nevessary for bars 533, 537 and 539. 

category imprint: Differences between sources

issues: Errors in FE , Errors in EE , GE revisions , Errors of GC

b. 533

composition: Op. 39, Scherzo in C♯ minor

Sixth in EE & GC (→GE)

Octave in FE
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The c2-a2 sixth adopted for the main text based on EE and GC (→GE) harmonically conludes the passage and is a melodic connector between c2 sounds in bars 529 and 534. The authenticity of the a1-a2 octave in FE is not certain - the engraver's mistake seems probable here.

category imprint: Differences between sources

issues: Errors in FE , Terzverschreibung error

b. 534-539

composition: Op. 39, Scherzo in C♯ minor

Indications in EE

smorz. - - - in GC (→GE)

No indications in FE

Our variant suggestion
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Each of the source dynamic markings may be authentic, in each of them, however, there seem to be chance elements - omissions and other errors. Since we are not certain about Chopin's ultimate intention here, for the main text we propose our variant solution.

category imprint: Differences between sources

b. 537

composition: Op. 39, Scherzo in C♯ minor

..

In GC the slur ends over the rest on the second beat of the bar.

category imprint: Source & stylistic information

issues: Inaccuracies in GC