|
b. 556
|
composition: Op. 39, Scherzo in C♯ minor
..
In the main text we present the GC and GE2 pedalling, the only sources where these marks are notated without mistakes or inaccuracies. category imprint: Differences between sources issues: Inaccuracies in FE , Errors in GE , EE inaccuracies |
|||||||||
|
b. 557-558
|
composition: Op. 39, Scherzo in C♯ minor
..
Both slurring variants are almost certainly authentic and musically justified. The EE and GC (→GE) version seems more informative - it suggests both overall continuity and uniformity of the phrase of bars 542-567 as well as marks the beginning of of the last decisive phrase of crescendo. Therefore, we present it in the main text, even though thef FE version may be the later one. category imprint: Differences between sources |
|||||||||
|
b. 562
|
composition: Op. 39, Scherzo in C♯ minor
..
In FE at the end of this bar there is additional category imprint: Differences between sources; Source & stylistic information issues: Errors in FE |
|||||||||
|
b. 563-564
|
composition: Op. 39, Scherzo in C♯ minor
..
Additional change of the pedal in EE is most probably authentic. However, for the main text we adopt the consistent GC and FE version, as the two sources most probably based on Chopin's autograph. category imprint: Differences between sources |
|||||||||
|
b. 565
|
composition: Op. 39, Scherzo in C♯ minor
..
In FE no category imprint: Differences between sources; Source & stylistic information issues: Errors in FE |
in 
in 