



b. 18
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In EE, the accent type was arbitrarily changed. category imprint: Differences between sources issues: Long accents , EE inaccuracies |
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b. 18
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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It is not certain whether the dot visible in A between the two notes of the sixth a1-f2 is a staccato sign or a miniature blot of ink without any significance. In all the places where Chopin marked staccato in a similar context, dots are placed above the notes. Therefore we leave the decision about taking this particular dot into consideration to the performer. category imprint: Interpretations within context; Differences between sources issues: GE revisions , EE inaccuracies |
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b. 18-19
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE |
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b. 18
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The versions of A (→GE) only differ in the presence or absence of a category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Cautionary accidentals , Accompaniment changes , Authentic corrections of FE |
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b. 18
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In A, the whole-bar pedalling is written. Lack of markings in GE1 (→FE→EE) may be either a result of Chopin's correction (as the comparison with the analogous bars 50 and 112 suggests) or the engraver's omission (as suggested by lack of any traces of deletions and by the omission of pedalling in the following bar 19). In GE2 (→GE3), the markings were added on the basis of A. category imprint: Differences between sources issues: GE revisions |