Issues : Accompaniment changes
|
b. 10
|
composition: Op. 24 No. 4, Mazurka in B♭ minor
category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Accompaniment changes , Authentic post-publication changes and variants |
||||||||||
|
b. 18
|
composition: Op. 24 No. 4, Mazurka in B♭ minor
..
The versions of A (→GE) only differ in the presence or absence of a category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Cautionary accidentals , Accompaniment changes , Authentic corrections of FE |
||||||||||
|
b. 18-19
|
composition: Op. 24 No. 4, Mazurka in B♭ minor
..
A bears traces of corrections of the L.H. part in those bars. One can be almost certain that originally bar 18 began with the crotchet F , other changes - on the 2nd beat of bar 18 and at the beginning of bar 19 - are more difficult to decipher. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Accompaniment changes |
||||||||||
|
b. 92
|
composition: Op. 24 No. 4, Mazurka in B♭ minor
..
As the 1st crotchet A (→GE) has just A flat, as in the previous bar. Chopin added A flat1 in the proofing of FE (→EE). At the same time the staccato sign, independent of the right hand, was omitted, which definitely was not Chopin's intention. In our main text we give both the added note and the omitted dot. Cf. bars 92 and 93. category imprint: Differences between sources; Corrections & alterations |
||||||||||
|
b. 93
|
composition: Op. 24 No. 4, Mazurka in B♭ minor
..
As the 2nd crotchet A (→GE) has the chord e flat-g flat-c1, as in the previous bar. In the proofing of FE (→EE) Chopin added the note A flat and the arpeggio wavy line. category imprint: Differences between sources; Corrections & alterations |
before c1. The version of 
