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b. 89
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composition: Op. 24 No. 2, Mazurka in C major
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A (→GE→FE→EE1) do not have any dynamic markings in that bar. In EE2 (→EE3) a category imprint: Differences between sources issues: Errors in EE |
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b. 89
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composition: Op. 24 No. 2, Mazurka in C major
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A has visible traces of the highest note of the 2nd chord in the L.H. having been corrected from f1 to e1. The resulting a-c1-e1 chord was reproduced in GE, and through GE it also appeared in FE, where Chopin corrected the chord again restoring the a-c1-f1 version. That ultimate version, repeated in EE, can be found in our main text. category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Accompaniment changes , Authentic corrections of FE |
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b. 90
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composition: Op. 24 No. 2, Mazurka in C major
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In the sources, the slur ends above the 2n quaver of the bar. This probably results from the inaccurate notation of A. category imprint: Interpretations within context; Editorial revisions issues: Inaccurate slurs in A |
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b. 90
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composition: Op. 24 No. 2, Mazurka in C major
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An evident wedge in A was reproduced in GE (→FE) as a dot (in GE, wedges were not used even once throughout the Mazurkas Op. 24). In EE, the sign was omitted. category imprint: Differences between sources issues: Inaccuracies in GE , Errors in EE , Wedges |
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b. 90-96
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composition: Op. 24 No. 2, Mazurka in C major
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In GE2 (→GE3), grace note slurs linking the grace notes in bars 90, 92, 94 and 96 with the following crotchets were arbitrarily added. category imprint: issues: GE revisions |
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