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b. 52
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composition: Op. 24 No. 2, Mazurka in C major
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The staccato dot above the 2nd chord of the L.H. was added in GE2 (→GE3) probably by analogy to bar 20. We do not include that arbitrary addition in our main text. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 53
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composition: Op. 24 No. 2, Mazurka in C major
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The third staccato dot in this bar, appearing in FE (→EE), is most probably a mistake. Notes on which short slurs begin are contrasted in A with staccato-marked notes ending the slurred crotchet pairs. The FE dot would disturb that regularity, with the detriment to the clarity of the entire transition section (bars 52-56). category imprint: Differences between sources issues: Errors in FE |
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b. 54
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composition: Op. 24 No. 2, Mazurka in C major
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A staccato dot was added in GE2 (→GE3) over the 2nd chord, probably by analogy to bar 51 and also bars 50 and 52. That dot does not appear in A (→GE1→FE→EE), and in our opinion the occurrence of dots, accents and slurs in this fragment is not regular enough to justify potential additions. category imprint: Differences between sources issues: GE revisions |
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b. 54
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composition: Op. 24 No. 2, Mazurka in C major
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In A the accent mark and category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
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b. 55
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composition: Op. 24 No. 2, Mazurka in C major
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We consider the omission of the dot above the 1st crotchet in GE1 (→FE→EE) to be accidental, as the engraver probably placed the dot above a wrong note. The dot was supplemented in GE2 (→GE3). category imprint: Differences between sources issues: Inaccuracies in GE |