Slurs
b. 151-152
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The ending of the A slur in bar 153 must be inaccurate. To the main text we adopt the GE interpretation thereof (→EE,IE). The later starting point of the slur in FE is most probably a mistake by the engraver. This slur, together with the one in bar 150, undoubtedly means that the entire quaver sequence should be performed continuously legato, as in similar contexts the division of slurs falling on strong beats was often considered irrelevant. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Errors in FE , Inaccurate slurs in A , GE revisions |
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b. 154
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composition: (Op. 4), Sonata in C minor, Mvt IV
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Neither the range nor the shape of the A slur suggest that it should start from the 1st quaver in the bar, as it was reproduced by GE (→FE,EE,IE). category imprint: Differences between sources issues: GE revisions |
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b. 156
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we reproduce the A slur as combining the a1 crotchet with the b1 quaver. The earlier starting point of the slur in GE (→FE,IE) is a less likely interpretation, since the A notation most probably means that both R.H. bottom voices are to meet on the b1 quaver. The omission of the slur in EE is due to the engraver's mistake. category imprint: Differences between sources issues: Inaccuracies in GE , Errors in EE |
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b. 162-163
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The slur having been shifted by a quaver is most probably an inaccuracy by the engraver of FE, one of a few in this fragment. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 165-166
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The top two-bar A slur reaches the 2nd crotchet in bar 166, which is almost certainly inaccurate – cf. the slurs between bars 169-170. The shorter GE slur (→FE,EE,IE) is an example of adjusting a mark to quaver beams. category imprint: Differences between sources issues: Errors in GE , GE revisions |