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b. 299

composition: (Op. 4), Sonata in C minor, Mvt IV

Dotted minim in A (→GEIE)

Minim in FE & EE

..

The missing augmentation dot to the g minim is probably a mistake by the engravers of EE and FE.

category imprint: Differences between sources

issues: Errors in FE , Errors in EE

b. 300

composition: (Op. 4), Sonata in C minor, Mvt IV

..

All sources feature a  to the G quaver. This accidental, in A written at the pitch of B, is a remaining element of the initial version, in which the 2nd half of the bar was the same as in the preceding bar. According to us, it could have been the initial version, changed in order to achieve a smoother transition – without repeating C – between the bars, or simply a mistake, consisting in copying the fragment of the preceding bar. In the main text we omit this unjustified accidental.

category imprint: Editorial revisions; Corrections & alterations; Source & stylistic information

issues: Corrections in A , Errors resulting from corrections

b. 300

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In A there is no accidental to the 2nd quaver. The patent inaccuracy was corrected in GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 300

composition: (Op. 4), Sonata in C minor, Mvt IV

No fingering in A (→GEFE,IE)

Fingering in EE

..

In the main text, we do not include the inauthentic L.H. fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 302-303

composition: (Op. 4), Sonata in C minor, Mvt IV

No fingering in A (→GEFE,IE)

Fingering in EE

..

In the main text, we do not include the inauthentic L.H. fingering added by EE.

category imprint: Differences between sources

issues: EE revisions