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b. 308
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A there is no category imprint: Interpretations within context; Differences between sources |
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b. 309
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
The accent in A (→GE→FE) can be interpreted either as a short accent or a long one. We adopt the latter due to the two clearly long accents in analogous bar 293 and 305. In EE and IE they were considered short accents. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , EE inaccuracies , Inaccuracies in A , |
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b. 310-312
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text, we do not include the inauthentic L.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 312
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composition: (Op. 4), Sonata in C minor, Mvt IV category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 313
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
The missing wedge in GE (→FE,EE,IE) is almost certainly an oversight – in A the mark was written too high, closer to the R.H., hence it could have been overlooked while working on the L.H. part (starting from the 2nd half of this bar, Chopin wrote the marks concerning the R.H. above the top stave). category imprint: Differences between sources issues: Errors in GE |
to the 2nd quaver (d
1). The inaccuracy was corrected in 
