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b. 296-308
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A the f note at the beginning of bar 296 seems to be a semibreve, since it does not have a stem. The same applies to the f1 note in bar 308. In both cases we are dealing with inaccuracies, which is proven by the ties to these notes (they are supposed to be held to the 2nd half of the bar). Therefore, in both bars we consider the version with a minim to be the A text; it was already introduced by GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: GE revisions , Rhythmic errors , Errors of A |
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b. 296-297
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A there is no category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions , Cautionary accidentals , Last key signature sign , Inaccuracies in A |
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b. 296
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The version of the majority of the editions resulted from a misinterpretation of the tie to f as a slur referring to the R.H. top voice. The authentic tie was added in EE2, most probably by analogy with bar 308. category imprint: Differences between sources issues: EE revisions , Errors in GE |
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b. 297
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A the accent is shorter than the similar marks in analogous bar 293, 305 and even 309. However, if we take into account the similarity of the rhythmic and harmonic context, this comparison proves that it is also in the discussed bar that Chopin almost certainly meant a long accent. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Long accents , Errors in FE |
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b. 299
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A the accidental to the top note on the last crotchet is missing. The patent inaccuracy was corrected in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
to the 2nd quaver in bar 296. Chopin's typical inaccuracy was corrected in 
, the 5th quaver, which we include in the main text. On the other hand, we omit the unjustified 
