Rhythm
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b. 230
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The overlooked tie to g3 is one of a few mistakes by EE in this bar. category imprint: Differences between sources issues: Errors in EE |
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b. 294
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A the third in the bottom voice is a semibreve, which is a mistake. It was corrected in GE (→FE,EE,IE). Four bars later, all sources contain the correct version. Similarly, in bar 306. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Rhythmic errors , Errors of A |
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b. 294-298
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The version of the last crotchet in bar 294 and 298 was introduced into EE2 probably by analogy with bar 306 and 310, in which a respective note (a category imprint: Differences between sources issues: EE revisions |
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b. 296-308
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A the f note at the beginning of bar 296 seems to be a semibreve, since it does not have a stem. The same applies to the f1 note in bar 308. In both cases we are dealing with inaccuracies, which is proven by the ties to these notes (they are supposed to be held to the 2nd half of the bar). Therefore, in both bars we consider the version with a minim to be the A text; it was already introduced by GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: GE revisions , Rhythmic errors , Errors of A |
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b. 296
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The version of the majority of the editions resulted from a misinterpretation of the tie to f as a slur referring to the R.H. top voice. The authentic tie was added in EE2, most probably by analogy with bar 308. category imprint: Differences between sources issues: EE revisions , Errors in GE |
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