b. 5
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The missing arpeggio before the chord in the middle of the bar is almost certainly Chopin's oversight – wavy lines are present in both analogous bar 188 and 371. category imprint: Editorial revisions issues: Errors of A |
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b. 5
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A the restoring B in the chord in the middle of the bar is missing. In A these accidentals are also absent the next two times this phrase appears, that is in bar 188 and 371. Nevertheless, the harmonic context indicates that it is a patent mistake by Chopin, which he committed earlier, perhaps when writing this movement as a draft, in which the subsequent appearances of this bar could have been marked in shorthand as repetitions of the first appearance. The flat was added in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors of A |
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b. 5
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A the to the last quaver (e3) is missing. The patent inaccuracy was corrected in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 5
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In EE1 the lowering d1 to d1 and the raising e4 to e4 were overlooked. The errors were corrected in EE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE |
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b. 6
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A the arpeggio wavy line is on the right side of the chord, which almost certainly does not impact its meaning. In the editions it is in its common position. See I mov. of the Sonata, bar 202. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Inaccuracies in A |