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b. 4-6
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composition: (Op. 4), Sonata in C minor, Mvt IV
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It is unclear how to understand the combination of the ties between the d1 notes in bars 4-5 and the c1 notes in bars 5-6 and the arpeggio marks preceding the chords at the beginning of bar 5 and 6, since the markings seem contradictory. There are two possibilities:
category imprint: Source & stylistic information issues: Tie or slur |
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b. 4
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composition: (Op. 4), Sonata in C minor, Mvt IV
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EE mistakenly has g category imprint: Interpretations within context; Differences between sources issues: Errors in EE |
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b. 5
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The missing arpeggio before the chord in the middle of the bar is almost certainly Chopin's oversight – wavy lines are present in both analogous bar 188 and 371. category imprint: Editorial revisions issues: Errors of A |
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b. 5
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A the category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors of A |
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b. 5
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A the category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |