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b. 110

composition: (Op. 4), Sonata in C minor, Mvt IV

 in A (literal reading→GEFE,EE,IE)

Long accent in A, contextual interpretation

..

In GE (→FE,EE,IE) the unquestionable long accent (considering the context) – cf. analogous bar 114 – was literally reproduced as a half-bar .

category imprint: Differences between sources

issues: Long accents

b. 111

composition: (Op. 4), Sonata in C minor, Mvt IV

No marks in A

Vertical accents in GE (→FE,EE,IE)

..

The version of the editions can be regarded as justified and considered an acceptable variant – in A the discussed bar opens a new line, and it cannot be ruled out that Chopin forgot to write accents there. In the main text we keep the A notation, as the accents in the preceding bar can be considered models for the entire ascending sequence; moreover, taking into account the crescendo, a performance featuring accents is obvious.

category imprint: Differences between sources

issues: GE revisions

b. 111

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In A there is no accidental to the top note of the sixth. The patent inaccuracy was corrected in GE (→FE,EE,IE).
In the main text we add accidentals to the c3-e3 third, omitted in the sources, as they appear in the 1st half of the bar (at the same pitch).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 112-113

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In A in the R.H. top voice the accidentals to the first quavers in each pair in bar 112 (a3 and f3) are missing, as well as to the penultimate quaver in bar 113 (b2). The patent inaccuracies were corrected in GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , Omissions to cancel alteration , GE revisions

b. 114

composition: (Op. 4), Sonata in C minor, Mvt IV

Wedge over b1-g2 in A, likely interpretation 

No mark in GE (→FE,EE,IE)

..

The notation of the 1st crotchet in A is ambiguous – it is uncertain whether the top note (g2) is supposed to be provided with a separate stem pointing upwards, as it was interpreted in GE (→FE,EE,IE), or whether this "stem" is actually a wedge over the sixth in one-part writing. To the main text we adopt the latter, yet the version of the editions can be considered an equal variant.

category imprint: Graphic ambiguousness; Differences between sources

issues: Wedges , Inaccuracies in A