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b. 73-77
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composition: (Op. 4), Sonata in C minor, Mvt II
..
In bar 73, 75 and 77, in the main text we omit the slurs being part of the triplet markings – cf. General Editorial Principles, p. 16. In this case, there are no doubts that this is the only function of these slurs, which is confirmed by the staccato marking in bar 77. category imprint: Editorial revisions issues: Triplet slurs |
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b. 73-76
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composition: (Op. 4), Sonata in C minor, Mvt II
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In the main text we add cautionary flats to d category imprint: Editorial revisions |
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b. 73
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composition: (Op. 4), Sonata in C minor, Mvt II
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In the main text, we do not include the inauthentic R.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 74-76
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composition: (Op. 4), Sonata in C minor, Mvt II
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In A there is only one category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 75-76
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composition: (Op. 4), Sonata in C minor, Mvt II
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When interpreted literally, the A slur must be inaccurate – unfinished – as many other slurs in this manuscripts (cf., e.g. mov. I, bars 182-183 or mov. IV, bars 350-351). At the same time, it does not matter whether we regard it as reaching d category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccurate slurs in A , Errors in GE |
in bar 73 and 75 and to a
to the d2-d3 octave, both in bar 74 and 76. The missing accidentals were added in 
