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b. 60-61
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composition: (Op. 4), Sonata in C minor, Mvt II
..
In both bars Chopin wrote a dotted crotchet rest, which was changed in GE (→FE,EE,IE) to a standard version of notation using a crotchet and a quaver rest. We reproduce Chopin's notation only in the graphic transcription. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 61-63
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composition: (Op. 4), Sonata in C minor, Mvt II
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In the main text, we do not include the inauthentic fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 64
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composition: (Op. 4), Sonata in C minor, Mvt II
..
In the sources the repeat sign faces only the left, which, considering the same sign at the end of the movement (bar 80), is a patent mistake. In young Chopin's pieces there are several such inaccuracies – cf. the Polonaise in A category imprint: Editorial revisions issues: Differences in form , Inaccuracies in A |
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b. 64-66
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composition: (Op. 4), Sonata in C minor, Mvt II
..
In the main text we include the cautionary category imprint: Differences between sources issues: GE revisions |
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b. 65
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composition: (Op. 4), Sonata in C minor, Mvt II
..
The extended category imprint: Differences between sources issues: EE revisions , Errors in EE , GE revisions |
, WN 3, bars 13-38 or the Variations in E, WN 5, bars 92-107 – while later pieces are not free from such mistakes either, e.g. the Polonaise in C
minor, Op. 26 No. 1, 
added in 
in 
