mUltimate Chopin

(Op. 4), Sonata in C minor, Mvt II

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 79

composition: (Op. 4), Sonata in C minor, Mvt II

No fingering in A (→GE→FE,IE)

Fingering in EE
..

In the main text, we do not include the inauthentic R.H. fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 80

composition: (Op. 4), Sonata in C minor, Mvt II

No indication in A (→GE→FE,EE,IE)

Da Capo suggested by the editors
..

The need to repeat the main section of the Minuet results from the generally adopted form of this dance. The fact that Chopin did not want to deviate from this rule is proven by the titles of both sections – Menuetto and Trio. Upon the return of the main section, it was also common not to take into account the repeat signs marked therein.

category imprint: Editorial revisions

issues: Unmarked Da Capo