b. 73-76
|
composition: (Op. 4), Sonata in C minor, Mvt II
..
In the main text we add cautionary flats to d in bar 73 and 75 and to a in bar 74 and 76. category imprint: Editorial revisions |
||||||
b. 74-76
|
composition: (Op. 4), Sonata in C minor, Mvt II
..
In A there is only one to the d2-d3 octave, both in bar 74 and 76. The missing accidentals were added in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
||||||
b. 75-76
|
composition: (Op. 4), Sonata in C minor, Mvt II
..
When interpreted literally, the A slur must be inaccurate – unfinished – as many other slurs in this manuscripts (cf., e.g. mov. I, bars 182-183 or mov. IV, bars 350-351). At the same time, it does not matter whether we regard it as reaching d or c. Therefore, one can understand why the GE engraver did not include this slur (unless it was a mere oversight). In the main text we suggest a slur modelled after analogous bars 73-74. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccurate slurs in A , Errors in GE |
||||||
b. 76
|
composition: (Op. 4), Sonata in C minor, Mvt II
..
The slurs added in GE (→FE,IE) after analogous bar 74 can be considered justified. However, as the presence or absence of these slurs is only one of a few differences between bars 73-74 and 75-76 present in A, in the main text we do not include this addition. category imprint: Differences between sources issues: EE revisions , Errors in EE , GE revisions |
||||||
b. 77
|
composition: (Op. 4), Sonata in C minor, Mvt II
..
In A the L.H. part is written in shorthand – only top octave notes and the con 8va - - indication. In the editions it was written in full. category imprint: Differences between sources issues: GE revisions , Abbreviated octaves' notation |