mUltimate Chopin

(Op. 4), Sonata in C minor, Mvt II

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b. 47

composition: (Op. 4), Sonata in C minor, Mvt II

 before 3rd crotchet in A

 under 3rd crotchet in GE (→IE)

 after 3rd crotchet in FE & EE
..

As in bar 15, of which this bar is a non-written-out repetition, in the main text we reproduce the  sign after A. In GE (→IE) it was moved under the 3rd crotchet, while in FE and EE even farther.

category imprint: Differences between sources

b. 49-50

composition: (Op. 4), Sonata in C minor, Mvt II

  in A (→GE→FE,IE)

No signs in EE
..

The absence of the hairpins is most probably due to the EE engraver's inattention. They are also missing in the next bar.

category imprint: Differences between sources

issues: Errors in EE

b. 49-51

composition: (Op. 4), Sonata in C minor, Mvt II

No fingering in A (→GE→FE,IE)

Fingering in EE
..

In the main text, we do not include the inauthentic R.H. fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 50

composition: (Op. 4), Sonata in C minor, Mvt II

No fingering in A (→GE→FE,EE1,IE)

Fingering in EE2
..

In the main text, we do not include the inauthentic L.H. fingering added by EE2.

category imprint: Differences between sources

issues: EE revisions

b. 51-52

composition: (Op. 4), Sonata in C minor, Mvt II

  in A

  in GE (→FE,IE)

No signs in EE
..

In GE (→FE,EE,IE) the   hairpins were inaccurately reproduced in this bar, repeating the scheme from the preceding bars. In the main text we provide the A notation, certainly well thought out. In EE the hairpins were omitted, as in the preceding bars.

category imprint: Differences between sources

issues: Errors in EE , GE revisions