b. 208
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composition: Op. 49, Fantaisie in F minor
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We add a cautionary before g in the main text. category imprint: Editorial revisions |
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b. 210
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composition: Op. 49, Fantaisie in F minor
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The notation of accidentals in the first two chords in the bar differs significantly between the sources:
category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Omissions to cancel alteration , GE revisions , Cautionary accidentals , FE revisions |
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b. 210-211
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composition: Op. 49, Fantaisie in F minor
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The absence of the ties to the e1-c2 sixth is most probably an oversight by the copyist or by the engraver of FE. The ties were added in EE2 on the basis of a comparison with GE1. category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 214
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composition: Op. 49, Fantaisie in F minor
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In A there are no accidentals to the 2nd R.H. chord. In FE a cautionary was added to c1, perhaps at Chopin's request. GE and EE include both cautionary accidentals, which we give in the main text. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 214
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composition: Op. 49, Fantaisie in F minor
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The arpeggio to the 3rd chord in A is in the form of a vertical slur (which is typical of Chopin's later notation). This is how it was reproduced in FE (→EE), whereas in GE a standard wavy line was used. In EE2, to the slur adopted from FE, the meaning of which was apparently unknown, the wavy line from GE1 was added. Therefore, in the EE2 version we reproduce, by way of exception, both signs literally (cf. General Editorial Principles, p. 5a). category imprint: Differences between sources issues: EE revisions |