b. 2-6
|
composition: Op. 10 No 2, Etude in A minor
..
Lack of the returning b2 on the penultimate semiquaver in bars 2 and 6 is most probably an inaccuracy of the notation of CLI. In bar 2 Chopin added the sign in FEcor, in bar 6 – probably already in the handwritten base text for FE. category imprint: Differences between sources issues: Omissions to cancel alteration , Authentic corrections of FE |
|||||||||
b. 2-4
|
composition: Op. 10 No 12, Etude in C minor
..
Lack of the accent in the middle of bar 4 is probably an inaccuracy of the notation of A – it seems highly unlikely that this bar was supposed to be less accentuated than bar 2. In the main text we suggest all accents added probably in a proofreading of FE (→GE,EE). The added accents do not differ from the adjacent ones, therefore, we accept both possibilities of their interpretation – cf. bars 1-6. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Authentic corrections of FE |
|||||||||
b. 2-4
|
composition: Op. 10 No 12, Etude in C minor
..
The performance markings of A quite significantly differ from the ones included in FE (→GE,EE). Due to the fact that next to the omission of verbal indications in A the accents in the R.H. in bars 2 and 4 were added, we consider the printed version as proofread by Chopin and we adopt it in the main text. The mark in bar 4 is, according to us, written in compliance with a sometimes applied by Chopin convention, according to which the indications are not arranged at the beginning of the area they consider, e.g., a motif, yet closer to its middle. category imprint: Differences between sources issues: Centrally placed marks |
|||||||||
b. 2-4
|
composition: Op. 10 No 12, Etude in C minor
..
The marks, added by Chopin probably in a proofreading of FE (→GE,EE), are certainly meant to be long accents and this is how we give them in the main text. In bar 2 the length of marks in GE and EE corresponds quite well with the size of Chopin's long accents, although most probably by accident. category imprint: Differences between sources issues: Long accents , Authentic corrections of FE |
|||||||||
b. 2-10
|
composition: Op. 10 No 12, Etude in C minor
..
It is uncertain why FE (→GE,EE) does not include the expressive markings written in A in bars 2 and 10. Most probably it is a result of the engraver's inaccuracy (haste?), however, even if it was the case, Chopin did not feel the need to complete these indications at the time of proofreading FE, despite the fact that in bar 2 he added a mark in this place. Therefore, respecting the image of the Etude accepted by Chopin for publication, we do not give them in the main text. category imprint: Differences between sources |