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b. 2

composition: Op. 10 No 6, Etude in E♭ minor

No fingering in A (→FE→GE)

Fingering in EE
..

In EE Fontana employed a supplemented version of Chopin's fingering from bar 4.

category imprint: Differences between sources

issues: EE revisions

b. 2-10

composition: Op. 10 No 6, Etude in E♭ minor

..

In bars 2 and 10 we add cautionary flats before a. The addition was already performed in GE2 and later GE,s and in EE4.

category imprint: Differences between sources

b. 2-3

composition: Op. 10 No 6, Etude in E♭ minor

Slurs in A

No slurs in FE (→GE,EE)
..

The inaccurate and unclear slurs of A were ignored in FE (→GE,EE). Their range, particularly in the case of bar 3, is uncertain. We do not include them in the main text, as Chopin did not repeat them in A and in analogous bars 10-11 and 42-43, nor did he add them in a proofreading of FE (cf. bars 47-49). 

category imprint: Differences between sources

issues: Inaccuracies in FE , Inaccurate slurs in A

b. 2

composition: Op. 10 No 7, Etude in C major

Slur in A & EE

No slur in FE (→GE)
..

In FE (→GE) the slur over the part of the R.H. was omitted. The sign was added in EE.

category imprint: Differences between sources

issues: EE revisions , Errors in FE

b. 2-3

composition: Op. 10 No 7, Etude in C major

..

Initially, the slur of A in bar 2 ended on the last note in this bar (same as in bar 1). Chopin, while adding the slur in bar 3, ensured that it is added to the previous one, which can be considered as a template for all similar situations.

category imprint: Corrections & alterations

issues: Corrections in A