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b. 2
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composition: Op. 29, Impromptu in A♭ major
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The range of crescendo is marekd in the source heterogeneously. FE and EE have slightly longer hairpins than A (→GE). We give the version which complies with the majority of analogous bars. category imprint: Differences between sources issues: Scope of dynamic hairpins |
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b. 2
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composition: Op. 27 No 1, Nocturne in C# minor
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We remove the digits 6 with which the sextuplets are marked in the sources also in this bar. This may be the result of a literal reading of the abbreviation that Chopin used in the autograph to mark the repetition in bar 2 of the rhythmic group from bar 1. category imprint: Editorial revisions |
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b. 2-3
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composition: Op. 27 No 2, Nocturne in D♭ major
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The slur in A ends in a manner that allows for two interpretations. In GE (→FE→EE), that slur was considered to end on the last note of bar 2. In our opinion, it should extend to a flat1 at the beginning of bar 3. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |
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b. 2
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources |
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b. 2-6
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composition: Op. 27 No 2, Nocturne in D♭ major
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In A, Chopin notated some of the repeating figures of the accompaniment in an abbreviated form using the signs '//'. Cf. bars 69-75. category imprint: Source & stylistic information issues: Abbreviated notation of A |
