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Issues : Authentic corrections of EE
b. 46-49
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The differentiated source versions of the signs of a dynamic character – accents and category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Errors in FE , Authentic corrections in GC , Authentic corrections of EE |
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b. 48-56
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composition: Op. 42, Waltz in A♭ major
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In FE there is no pedalling in bars 48-51 (it is to be found only in bars 55-56). There is no reason to doubt the authenticity of the pedalling in EE even though it could result from Chopin's mistake—while preparing the basis for EE the composer has presumedly written the pedalling into bars 45-51 (the first line of text on the second page of FE and EE) mistaking them for bars 41-47. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of EE |
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b. 49
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composition: Op. 42, Waltz in A♭ major
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The d category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Authentic corrections of GE , Authentic corrections of EE |
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b. 49
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Chopin added the g category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of EE |
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b. 50-54
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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Three phrase marks were probably added by Chopin in the base text to EE and, being the expression of the composer's latest intention, we give them in the main text. Our alternative suggestion includes a possibility of an inaccurate interpretation of signs by the engraver. Similarly in bars 238-242. category imprint: Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations issues: EE inaccuracies , Authentic corrections of EE |