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b. 12

composition: Op. 25 No 11, Etude in A minor

Wedge in GC & EE

Dot in FE & GE
..

The wedge in GC, confirmed by EE, was reproduced in GE as a staccato dot. Therefore, the evaluation of the authenticity of the dot in FE also advises caution. The tendency to interpret wedges as dots was very clear in the B&H publishing houses – cf., e.g., the Nocturne in D major, Op. 27 No. 2, bar 12 or the Scherzo in C minor, Op. 39, bar 18.

category imprint: Differences between sources

issues: Inaccuracies in GE , Inaccuracies in FE , Wedges

b. 12

composition: Op. 25 No 11, Etude in A minor

Slur in GC, literal reading

Slur in GC (interpretation), FE, GE2 (→GE3) & EE1 (→EE2)

Slur in GE1 & EE3
..

The slur of GC, reaching above the rest, is certainly inaccurate. The version of GE1 is most probably an attempt to confer it meaning while preserving its length. The change performed in EE3 proves (excessive) trust of the reviser of this edition to the text of GE1.

category imprint: Graphic ambiguousness; Differences between sources

issues: GE revisions , Inaccuracies in GC

b. 12

composition: Op. 25 No 11, Etude in A minor

..

In GC and FE there is no  raising g1 to g1. This patent oversight was corrected in GE and EE. Similarly in bar 76.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Errors of GC

b. 12-13

composition: Op. 25 No 10, Etude in B minor

Two slurs in GC & GE2 (→GE3)

One slur in FE, EE & GE1
..

The inaccurately written slurs of GC are, however, according to us, separated. It cannot be excluded that it looked similarly in the base texts to FE and EE.

category imprint: Graphic ambiguousness; Differences between sources

issues: GE revisions , Inaccuracies in GC

b. 12-14

composition: Op. 25 No 5, Etude in E minor

 in FC (→GE)

 in FE & EE
..

The sources differ in the moment when the  hairpins start. To the main text we adopt the version of FC (→GE), in which the earlier beginning of the sign is synchronised with the harmonic change. We discuss the issue of the ending of the hairpins in the note concerning .

category imprint: Differences between sources

issues: Scope of dynamic hairpins