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b. 655

composition: Op. 31, Scherzo in B♭ minor

d1 & d1 in A (→FCGE) & EE2 (→EE3)

f1 & e1 in FE, interpretation

d1 & e1 in EE1, interpretation

..

The versions of FE and EE1 must be erroneous (in addition, FE do not contain a  before the 3rd crotchet), since a simple scheme, on which this harmonic accompaniment is based, would be distorted, without a sonic explanation. EE2 (→EE3) introduced the correct text probably on the basis of a comparison with the previous two appearances of this phrase or with GE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Terzverschreibung error , Errors repeated in EE

b. 656

composition: Op. 11, Concerto in E minor, Mvt I

..

In the R.H. part, there are no accidentals in the 2nd half of the bar in FE. The necessary sharps were added in GE and EE (in EE1, only before the 7th semiquaver).

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions

b. 656

composition: Op. 11, Concerto in E minor, Mvt I

..

The cautionary sharps before the 1st octave in the L.H. were removed in GE3.

category imprint: Differences between sources

issues: GE revisions , Cautionary accidentals

b. 656-657

composition: Op. 31, Scherzo in B♭ minor

d2 tied in A (→FCGE)

d2 repeated in FE (→EE)

..

The missing tie of d2 is most probably an oversight of the engraver of FE (→EE).

category imprint: Differences between sources

issues: Errors in FE

b. 656

composition: Op. 31, Scherzo in B♭ minor

Small crotchet in A (→FCGE1, →FEEE)

Acciaccatura in GE2 (→GE3)

..

In the main text we give the only authentic notation of the ornament, written in A. However, we accept the notation of GE2 (→GE3), since it almost certainly marks the same performance.

category imprint: Differences between sources

issues: GE revisions