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b. 643

composition: Op. 39, Scherzo in C♯ minor

Pedalling in EE & FE

No markings in GC (→GE)
..

Pedalling markings in GC (→GE) must have been omitted.

category imprint: Differences between sources

issues: Errors of GC

b. 643

composition: Op. 11, Concerto in E minor, Mvt I

..

In the majority of the sources, the bar is written with an octave sign, which was overlooked in EE1. The mistake was corrected in EE2 (→EE3).

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in EE

b. 643

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE
..

category imprint: Differences between sources

issues: EE revisions

b. 644

composition: Op. 39, Scherzo in C♯ minor

..

In EE and FE we leave out redundant sharps before e and e1 in the last chord of the bar. The sharps are present in GC (→GE1) but the lower  is erroneously notated on g. In GE2 the accidntal was removed.

category imprint: Editorial revisions; Source & stylistic information

issues: GE revisions , Cautionary accidentals , Errors of GC

b. 644-645

composition: Op. 39, Scherzo in C♯ minor

 in EE & GC (→GE)

Long accent in FE
..

In GC (→GE) and EE, the  marks, despite some differences, undoubtedly apply to both C major chords in these bars. We believe they represent a long accent spanning the two chords. The mark in FE is a typical long accent characteristic of this edition.

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents