



b. 570
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composition: Op. 11, Concerto in E minor, Mvt I
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GE1 (→GE2) overlooked the demisemiquaver beam in the beam of the 1st group of notes. The mistake was corrected in GE3. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 570
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, one can see traces of removal of the third category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE |
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b. 570-572
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composition: Op. 31, Scherzo in B♭ minor
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Chopin could have decided to stop providing chords with arpeggios with the gradual fading of music (diminuendo started already in b. 567). Therefore, in the main text we leave the notation of A and of the majority of the sources without changes. However, taking into account the fact that the missing signs could have been a result of inaccuracy, we accept the use of the variant version of GE2 (→GE3). See also b. 568-572. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 572-573
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composition: Op. 39, Scherzo in C♯ minor
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In EE g category imprint: Differences between sources issues: Errors in EE , Inaccuracies in GC |
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b. 572
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we suggest adding a slur combining the upbeat with the beginning of the next bar – the musical connection of that quaver with the next phrase is unquestionable, yet the a tempo indication appearing only just in bar 573 may distort the correct phrasing if interpreted literally. Both the missing slur and placement of a tempo may actually be a random inaccuracy related to the transition to a new page in FE. category imprint: Editorial revisions issues: Inaccuracies in FE |