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b. 371-387
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composition: Op. 39, Scherzo in C♯ minor
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In bars 371 and 387 we add cautionary sharps before f category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 371
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composition: Op. 16, Rondo in E♭ major
category imprint: Differences between sources issues: Errors in GE |
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b. 371
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composition: Op. 16, Rondo in E♭ major
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We suggest adding pedal markings like it is in analogous bar 231. category imprint: Editorial revisions |
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b. 371
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composition: Op. 11, Concerto in E minor, Mvt III
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In FEH, the bottom F minim is crossed out. Like in a few other cases, it is just an additional reminder that the note should not be played and not an actual abandonment of the tie, according to us. Such a transfer of the bass note while preserving a common note is one of the characteristic Chopinesque procedures, c.f. e.g. bars 360-363 i 368-369 as well as the Etude in C Major, Op. 10 No. 1, bars 49-50 and 65-66 or the Fantasy in A Major, Op. 13, bars 114-119. category imprint: Source & stylistic information |
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b. 371
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composition: Op. 2, Variations, complete
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The version of FE1 is a mistake by the engraver, as evidenced by the compliant text of the remaining sources, including FE2, in which the mistake was corrected, probably at Chopin's request. category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
in bars 370-371 in 
3 in