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b. 607
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composition: Op. 11, Concerto in E minor, Mvt I
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The vague and most probably erroneous notation of FE was probably supposed to look like the one applied two bars later – a d2 minim preceded by an a2 grace note. We adopt this obvious interpretation in the main text; it was applied already in EE. In turn, the version of GE may be the original version, completed by Chopin in the last proofreading of FE. We give a short grace note as an acceptable variant – see bar 609. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Errors in FE , Errors resulting from corrections , Authentic corrections of FE |
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b. 607-608
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composition: Op. 11, Concerto in E minor, Mvt I
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Omission of two subsequent slurs in a sequence of similar figures of accompaniment must be an inaccuracy, although it is uncertain whether it was committed in FE (→GE1→GE2) or still in [A]. This is how it was already assessed in EE and GE3 (see also bar 599 and 611). category imprint: Differences between sources issues: GE revisions |
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b. 607
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composition: Op. 11, Concerto in E minor, Mvt I
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Bars 607 and 609 are another example of bars – see bars 601-603 – of FE that probably represent the original notation; in the majority of similar places, Chopin replaced that notation with the one used by GE and EE in bar 607. GE adopted that notation also in bar 609, whereas in EE, its own notation from bars 601-603 was repeated in that bar. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 608-612
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composition: Op. 39, Scherzo in C♯ minor
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The EE pedalling, which is not confirmed in the remaining sources, nor in the corresponding bars, may raise some doubts regarding its authenticity. We propose to add pedal marks in bars 608 and 612 analogous to bars 576 and 580, which we can find in FE. The fact that in GC bars 605-616 are marked as the repetition of bars 573-584 suggests that Chopin did not intend any differences in these parts. category imprint: Differences between sources; Editorial revisions |
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b. 608
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composition: Op. 39, Scherzo in C♯ minor
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We omit the unjustified category imprint: Editorial revisions |
before d
at the beginning of the bar.