



b. 371
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composition: (Op. 4), Sonata in C minor, Mvt IV
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As in bar 5, in A there is no category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors of A |
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b. 371-372
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we suggest adding wedges over the first notes of the quaver groups after analogous bars 5-6 and 188-189. category imprint: Editorial revisions |
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b. 372-373
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composition: Op. 39, Scherzo in C♯ minor
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In GC G category imprint: Source & stylistic information issues: GE revisions , Errors of GC |
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b. 372
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composition: Op. 21, Concerto in F minor, Mvt III
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According to us, the course of the music suggests a possible change of the performance manner of these motifs only from the next bar. Therefore, in the main text we suggest adding an accent in the discussed place. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 372
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composition: Op. 11, Concerto in E minor, Mvt I
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The difference in the length of the accents in FE seems to be accidental – in bar 375, accents in a similar motif are all the same. Due to this reason, in the main text we give accents of the same length (short), just like in GE and EE. category imprint: issues: Long accents |