



b. 370
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composition: Op. 11, Concerto in E minor, Mvt III
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The finger swap written in FEH reminds of the need for a strict implementation of the tied bass note – see bars 361-363. category imprint: Differences between sources |
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b. 370
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composition: Op. 2, Variations, complete
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The version of A and of the majority of the editions with g
category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Errors resulting from corrections , Errors of A , Enharmonic corrections , Authentic corrections of FE |
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b. 370
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composition: Op. 2, Variations, complete
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The missing accent in GE (→FE,EE,FESB) is almost certainly a mistake by the engraver of GE1. It is evidenced by category imprint: Differences between sources issues: Errors in GE |
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b. 370
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A the accidentals are only next to the first two quavers in the bar. The typical inaccuracy was clarified in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 371-387
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composition: Op. 39, Scherzo in C♯ minor
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In bars 371 and 387 we add cautionary sharps before f category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |