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b. 475
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composition: Op. 39, Scherzo in C♯ minor
category imprint: Differences between sources |
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b. 475-480
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composition: Op. 21, Concerto in F minor, Mvt III
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These bars fill an entire page of A. On the previous page, Chopin wrote cresc. in bar 469 and marked its range with dashes until the end of the page (bar 474). The dashes appear then on the next page, from bar 481, yet there is no mark to which they could refer. It proves Chopin's mistake – either a new mark was supposed to be written in bars 475-480 or the composer forgot to write dashes extending cresc. from bar 469 in these bars. The latter seems to be much more likely, since the discussed bars continue the regular ascending progression, which started together with cresc. in bar 469. category imprint: Interpretations within context; Editorial revisions issues: Errors of A |
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b. 475-476
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
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b. 475
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing accent does not have to be considered an oversight in this case – cf. the twin phrases of this three-part progression (bars 473 and 477). Therefore, in the main text we suggest a long accent in accordance with the interpretation adopted in the mentioned bars. An accent (short) was added in GE3. category imprint: Differences between sources; Editorial revisions issues: Long accents , GE revisions |
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b. 476-477
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composition: Op. 39, Scherzo in C♯ minor
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No tied H in EE seems to have been overlooked. The GC notation is imprecise - at the end of b. 476 (the last one one the page) there is no tie, but it appears in b. 477. However, in GE the tie was not included. category imprint: Differences between sources issues: Errors in EE , Errors in GE , Inaccuracies in GC |
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