



b. 348
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composition: Op. 31, Scherzo in B♭ minor
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The version of EE, which can be considered an interpretation – ignoring the musical sense – of the slur of A, written with panache, could have been repeated after FE, which, after all, was based on A. In the very FE the erroneous slur would have been corrected in the last phase of proofreading (although there are no visible traces of such a correction on the available photocopies of FE copies). In turn, the slur in GE1 – beginning from f category imprint: Interpretations within context; Differences between sources issues: Inaccurate slurs in A , Errors in GE , GE revisions , Authentic corrections of FE , Inaccuracies in FC |
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b. 348
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we include the category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , GE revisions , Authentic corrections of FC |
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b. 348
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composition: (Op. 4), Sonata in C minor, Mvt IV category imprint: Editorial revisions |
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b. 348
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we add cautionary accidentals to the 1st chord in the bar, a category imprint: Editorial revisions |
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b. 349-352
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composition: Op. 21, Concerto in F minor, Mvt III
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Same as in all previous similar bars, we consider the missing slurs in the L.H. in bars 349-351 to be an inaccuracy of the notation of A (→GE→FE), resulting from an increasing haste. Due to this reason, we add slurs after bars 1-3 and 25-27. In EE, in all four bars, arbitrary double slurs for each pair of dyads were introduced. category imprint: Differences between sources; Editorial revisions issues: EE revisions |