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b. 333

composition: Op. 11, Concerto in E minor, Mvt I

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In GE3, the semiquavers in both hands were written in an abbreviated manner as tremolandi.

category imprint: Differences between sources

issues: GE revisions

b. 333

composition: Op. 11, Concerto in E minor, Mvt III

Quaver d​​​​​​​1 in FE (→GE) & EE3

Crotchet d​​​​​​​1 ​​​​​​​in EE1 (→EE2)
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The version of EE1 (→EE2) must be arbitrary and pianistically unjustified – d​​​​​​​1 is anyway performed in the R.H. on the 4th quaver. The authentic notation was restored in EE3. See also bar 335.

category imprint: Differences between sources

issues: EE revisions

b. 333

composition: Op. 11, Concerto in E minor, Mvt III

..

EE1 (→EE2) is missing the cautionary  before f​​​​​​​1. The accidental, present in FE (→GE), was added also in EE3. In an analogous situation 2 bars later, a respective  is present in all sources.

category imprint: Differences between sources

issues: EE revisions , Errors in EE , Cautionary accidentals

b. 333

composition: Op. 11, Concerto in E minor, Mvt III

Slur to 2nd g​​​​​​​1 in FE (→EE,GE1→GE2)

Slur to first g​​​​​​​1 in GE3
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Leading the slur to the 2nd semiquaver of the 2nd half of the bar is most probably an inaccuracy of FE (→EE,GE1→GE2). In the main text, we shorten the slur, since we believe that the slurs over analogous motifs in this and the next phrase should end in the same place.

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in FE , GE revisions

b. 333-334

composition: Op. 11, Concerto in E minor, Mvt III

Slur in FE (→EE,GE1→GE2)

3 staccato dots in GE3
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Replacing the g1-g​​​​​​​2 slur with three staccato dots is a totally unjustified arbitrary change of GE3.

category imprint: Differences between sources

issues: GE revisions