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b. 332

composition: (Op. 4), Sonata in C minor, Mvt IV

No fingering in A (→GE→FE,IE)

Fingering in EE
..

In the main text, we do not include the inauthentic R.H. fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 333

composition: Op. 39, Scherzo in C♯ minor

..

In FE there is no  augmenting b to b. This is obvious  inaccurracy in Chopin's notation, as when he wrote this bar in [A2] he was convinced that the change of key signatures had already taken place.

category imprint: Differences between sources

issues: Errors in FE , Omission of current key accidentals

b. 333

composition: Op. 11, Concerto in E minor, Mvt I

..

In GE3, the semiquavers in both hands were written in an abbreviated manner as tremolandi.

category imprint: Differences between sources

issues: GE revisions

b. 333

composition: Op. 11, Concerto in E minor, Mvt III

Quaver d​​​​​​​1 in FE (→GE) & EE3

Crotchet d​​​​​​​1 ​​​​​​​in EE1 (→EE2)
..

The version of EE1 (→EE2) must be arbitrary and pianistically unjustified – d​​​​​​​1 is anyway performed in the R.H. on the 4th quaver. The authentic notation was restored in EE3. See also bar 335.

category imprint: Differences between sources

issues: EE revisions

b. 333

composition: Op. 11, Concerto in E minor, Mvt III

..

EE1 (→EE2) is missing the cautionary  before f​​​​​​​1. The accidental, present in FE (→GE), was added also in EE3. In an analogous situation 2 bars later, a respective  is present in all sources.

category imprint: Differences between sources

issues: EE revisions , Errors in EE , Cautionary accidentals