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b. 323
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
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b. 323
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composition: Op. 16, Rondo in E♭ major category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 323-324
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composition: Op. 44, Polonaise in F♯ minor
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The missing tie in FE (→EE) is probably an oversight of the engraver, although a deletion/omission of the slur in the Stichvorlage to FE cannot be ruled out. Therefore, it is difficult to safely say which version Chopin deemed final. category imprint: Differences between sources |
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b. 323-326
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composition: Op. 2, Variations, complete
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We give the staccato marks in bar 323 (along with the 1st quaver in bar 324) and in bar 326 in the main text after A, although in this case they are not completely consistent:
The versions of the editions, with wedges only, must be arbitrary; what is more, they are incomplete – in GE1 (→GE2→FESB) the marks were reproduced only at the beginning of bar 323 and in bar 326 (in FE and GE3 some of them were also overlooked). In EE the marks on the 2nd and 3rd beats of bar 326 were overlooked, while wedges were added at the beginning of bar 324 and in the L.H. in bar 326. category imprint: Differences between sources issues: EE revisions , GE revisions , Wedges |
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b. 323
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composition: Op. 2, Variations, complete
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In the main text we add a cautionary category imprint: Editorial revisions |
1 tied in 
thirds (in various octaves) in bars 323-324 are provided with dots, whereas Chopin marked the d-f thirds in bars 326-327 (and the a-c ones in bars 329-330) with wedges.
to b