mUltimate Chopin

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b. 321-324

composition: Op. 2, Variations, complete

Shorter slurs in AsI

Longer slurs in A

Longer slurs in GE (→FE,EE)
..

The slurs of AsI, entered only into these bars (to the end of the page of this manuscript), reveal the initial concept of slurring, showing the quasi-two-part structure of the figurations rather than the actual phrasing.

category imprint: Differences between sources; Corrections & alterations

b. 321

composition: Op. 49, Fantaisie in F minor

cresc. - - & smorz. - - in A

No indications in FE (→EE1)

cresc. & smorz. - in GE

cresc. & smorz. in EE2
..

In the main text we provide the indications added by Chopin to A after [FC] had been finished. They were repeated in GE, and on the basis thereof in EE2, yet in both cases it was performed inaccurately. None of these versions can be authentic.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in GE

b. 321

composition: Op. 49, Fantaisie in F minor

No sign in A (→GE)

Arpeggio sign in FE (→EE)

Our variant suggestion
..

The arpeggio was probably added by Chopin to [FC] or while proofreading FE (→EE). In the main text we include it in a variant form. See also bar 322.

category imprint: Differences between sources; Editorial revisions; Corrections & alterations

issues: Authentic corrections of FE

b. 321-322

composition: Op. 49, Fantaisie in F minor

Slur from crotchet to crotchet in A

Slur from minim to quaver in GE1

Slur from minim to crotchet in GE2

No slur in FE (→EE)
..

In FE (→EE) the missing slur over the separated R.H. voice resulted either from a mistake or from a misunderstanding of the overlapping A slurs (see the next note). The earlier beginning of the slur is probably a revision, while the earlier ending in GE1 – an inaccuracy, corrected in GE2.

category imprint: Differences between sources

issues: Errors in FE , Inaccuracies in GE , GE revisions

b. 321

composition: Op. 49, Fantaisie in F minor

in A

in GE & FE (→EE)
..

The range of the  mark in A may give rise to doubts, since its arms are of different length. The engravers took into account the bottom, longer arm and assumed that the mark reaches the last small crotchet. It does not seem to be an accurate interpretation of Chopin's intention, since such long crescendo cannot be simultaneously combined with smorz. - -. The editors of mUltimate Chopin assume the top arm of the mark to be reliable, written first, and this is how they reproduce this hairpin both in the transcription of A and in the main text.
(Minor inaccuracies in the reproduction of the A hairpins by the editions are also to be seen in the case of the previous marks in this bar.)

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins , Inaccuracies in A