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b. 454
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composition: Op. 16, Rondo in E♭ major category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 454
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composition: Op. 11, Concerto in E minor, Mvt III
..
The addition introduced in GE must be arbitrary and, what is more, untrue, since this two-bar insert is performed by the entire orchestra and not only by strings. The reviser added a 'Viol.' indication, which was probably influenced by the situation in bar 443, in which he had already added such a 'Viol.' following its three-time appearance in bars 412, 421 and 429. In the main text, we suggest the indication 'Tutti,' compliant with the actual cast. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 455-463
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composition: Op. 21, Concerto in F minor, Mvt III
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While proofreading FE (→EE), Chopin changed – just like in analogous bars 415 and 423 – d category imprint: Differences between sources; Corrections & alterations issues: Enharmonic corrections , Authentic corrections of FE |
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b. 455
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composition: Op. 21, Concerto in F minor, Mvt III
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In A the only accidental before the 1st chord in the R.H. is the cautionary category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Cautionary accidentals , Omission of current key accidentals , Errors of A , Authentic corrections of GE , Last key signature sign |
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b. 455-456
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composition: Op. 21, Concerto in F minor, Mvt III
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The notation of the three subsequent accents is unambiguous in A – they are 3 long accents. In spite of this, GE reproduced them as short accents, whereas in FE (→EE) the third of them was overlooked. category imprint: Differences between sources issues: Long accents , Errors in FE , Inaccuracies in GE |
lowering c4 to c
4. The mistake was corrected in 
2 to e
before e2. From the musical point of view, the version with d3 would be possible, yet a comparison with analogous bar 425 and a 
