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b. 455

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 455

composition: Op. 11, Concerto in E minor, Mvt III

..

We add a cautionary ​​​​​​​ before a2 in the main text.

category imprint: Editorial revisions

b. 456

composition: Op. 21, Concerto in F minor, Mvt III

..

Just like in bars 453-454, the crossings-out visible in A allow us to read the previous version of this bar:


It allows us to classify the last chord in the L.H. in analogous bar 416 as the original version and not a Terzverschreibung error.

category imprint: Corrections & alterations

issues: Corrections in A

b. 456-457

composition: Op. 21, Concerto in F minor, Mvt III

Slur to g2 in A (literal reading→GE1→FE→EE)

Slur to f2 in A (contextual interpretation) & GE2
..

In A, the ending of the slur in bar 456 suggests continuation, yet in bar 457 (on a new page), there is no ending of the slur. GE1 (→FE→EE) adopted a literal interpretation of this detail. In the main text we lead the slur to the last note of the two-bar sequence of triplets. GE2 interpreted the notation of A in a similar way.

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccurate slurs in A , GE revisions

b. 456-464

composition: Op. 21, Concerto in F minor, Mvt III

..

In A there are no flats restoring b1 in the last chord in the L.H. in bars 456 and 464. These patent mistakes were corrected already in GE1 (→FE→EE, →GE2), perhaps by Chopin.

category imprint: Interpretations within context; Differences between sources

issues: Omissions to cancel alteration , Errors of A , Authentic corrections of GE